March 9-12, 1983 at Earl of March Secondary School as part of Season #14 1982-1983
| Written by Ira Levin |
Comfortably ensconced in his charming Connecticut home, Sidney Bruhl, a successful writer of Broadway thrillers, is struggling to overcome a dry spell which has resulted in a string of failures and a shortage of funds. A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college—a thriller that Sidney recognizes immediately as a potential Broadway smash. Sidney’s plan, devised with his wife’s help, is to offer collaboration to the student for co-credit. Or is it?
| CLIFFORD ANDERSON | Chris Deeble | |
| HELGA TEN DORP | Liane Freedman | |
| MYRA BRUHL | Rosemary Keneford | |
| PORTER MILGRIM | Pat Carroll | |
| SIDNEY BRUHL | Stephen Jones |
| Director | Jim Holmes | |
| Production Manager | Margaret Allen | |
| Stage Manager | Ann Marwood | |
| Stage Manager | Betty Francis | |
| Set Design | Philip Lawless | |
| Set Construction | Ben Mooy | |
| Set Construction | Chris Robinson | |
| Set Construction | John Edmonds | |
| Set Construction | Martin Haynes | |
| Set Construction | Philip Lawless | |
| Set Construction | Tony Francis | |
| Set Decor | Brenda Robinson | |
| Set Decor | Cathy Edmonds | |
| Set Decor | Philip Lawless | |
| Furnishings | Annmarie Copple | |
| Furnishings | Dorothy Beak | |
| Furnishings | Rosemarie Lawless | |
| Lighting Design | Chris Robinson | |
| Lighting Design | Steve Sweet | |
| Sound Design | Brooke Keneford | |
| Sound Design | Peter Smith | |
| Special Effects | Ron Maslin | |
| Properties | Carol Allard | |
| Properties | Gwendy Tolley | |
| Properties | Ruth White | |
| Properties | Terry Carroll | |
| Costumes | Marilyn Macdonald | |
| Costumes | Mary Holmes | |
| Continuity | Anne Holland | |
| Continuity | Dewi Williams | |
| Make-up | Jenefer Haynes |