February 28 & March 2, 1996 at Earl of March Secondary School as part of Season #27 1995-1996
| Written by Ernest Thompson |
This is the love story of Ethel and Norman Thayer, who are returning to their summer home on Golden Pond for the forty-eighth year. He is a retired professor, nearing eighty, with heart palpitations and a failing memory—but still as tart-tongued, observant, and eager for life as ever. Ethel, ten years younger, and the perfect foil for Norman, delights in all the small things that have enriched and continue to enrich their long life together. They are visited by their divorced, middle-aged daughter and her dentist fiancé, who then go off to Europe, leaving his teenage son behind for the summer. The boy quickly becomes the “grandchild” the elderly couple have longed for, and as Norman revels in taking his ward fishing and thrusting good books at him, he also learns some lessons about modern teenage awareness—and slang—in return. In the end, as the summer wanes, so does their brief idyll, and in the final, deeply moving moments of the play, Norman and Ethel are brought even closer together by the incidence of a mild heart attack. Time, they know, is now against them, but the years have been good and, perhaps, another summer on Golden Pond still awaits.
| BILL | George K. Thompson | |
| BILLY | Jeffrey Robert Knight | |
| CHARLIE | Bob Lackey | |
| CHELSEA | Jane McLaren | |
| ETHEL | Gwen Knight | |
| NORMAN | Brooke Keneford |
| Director | Annmarie Copple | |
| Production Manager | Charles Hill | |
| Stage Manager | Gwendy Tolley | |
| Assistant Stage Manager | Anne Holland | |
| Assistant Stage Manager | Carin Goodman | |
| Stage Crew | Andrew Williams | |
| Stage Crew | Colin Williams | |
| Stage Crew | Karl Wagner | |
| Stage Crew | Wendy Wagner | |
| Set Design | Dorothy Shaw | |
| Set Construction | Bill Williams | |
| Set Construction | Earl McLaughlin | |
| Set Construction | Geoff Holland | |
| Set Construction | Jen Pezaro | |
| Set Construction | Kelly Brown | |
| Set Construction | Mark Pezaro | |
| Set Construction | Peter Jefferson | |
| Furnishings | Ada Timmins | |
| Furnishings | Erin Lowell | |
| Lighting Design | Alan Goodman | |
| Lighting Design | Paul Gardner | |
| Sound Design | Rob Mitchell | |
| Composer | Rob Mitchell | |
| Properties | Barbara Kobolak | |
| Properties | Jane Chadsey | |
| Properties | Joy Forbes | |
| Properties | Marianne Wilkinson | |
| Costumes | Bev Brooks | |
| Costumes | Cheryl (Knight) Mitchell | |
| Costumes | Margaret Robitaille | |
| Continuity | Ann Williams | |
| Continuity | Bev Brooks | |
| Continuity | Teija Crebbin | |
| Make-up | Dorothy Beak | |
| Make-up | Rosemary Keneford | |
| Hair Styling | Carol Walkey |