February 6-10, 13-17, 2018 at Ron Maslin Playhouse as part of Season #49 2017-2018
| Written by Anthony Shaffer |
Isolated in a British manor house, an English gentleman and his wife’s lover lock horns in a bitter match of wits. As each man ups the ante to gain superiority, events escalate out of control. What begins as a gentlemanly game of ‘stiff- upper-lip’ repartee to resolve their situation, descends into a cut-throat, ego-fueled determination to win. There can be only one outcome and it is deadly.
| Andrew Wyke | Dale MacEachern | |
| DetectiveSergeant Tarrant | Ian Redpath | |
| Inspector Doppler | James Knowlton | |
| Milo Tindle | Jarrod Chambers | |
| Police Constable Higgs | Rohan Brooks |
| Director | Bev Brooks | |
| Production Manager | Joan Patrick | |
| Stage Manager | Wendy Wagner | |
| Assistant Stage Manager | Amy Osborne | |
| Assistant Stage Manager | Katie (Betts) Buller | |
| Set Design | Karl Wagner | |
| Set Construction Coordinator | Karl Wagner | |
| Set Construction | Barry Fortey | |
| Set Construction | Bert Ljungström | |
| Set Construction | Dan Winters | |
| Set Construction | Dean Flockton | |
| Set Construction | Enver Dokuzoguz | |
| Set Construction | Heidi Roberts | |
| Set Construction | Jim Clarke | |
| Set Construction | Larry Witol | |
| Set Construction | Lionel King | |
| Set Construction | Mike Giovinazzo | |
| Set Construction | Paul Behncke | |
| Set Construction | Romauld Frigon | |
| Set Construction | Sean Behncke | |
| Set Painting Coordinator | Sandy Wynne | |
| Set Painting | Adele Mayers | |
| Set Painting | Bev Brooks | |
| Set Painting | Chandra Von Teichman | |
| Set Painting | Diane Burke | |
| Set Painting | Enver Dokuzoguz | |
| Set Painting | Karen Germundson | |
| Set Painting | Paul Behncke | |
| Set Painting | Sean Behncke | |
| Scenic Artist | Dorothy Shaw | |
| Set Decor & Furnishings | Dorothy Shaw | |
| Set Decor & Furnishings | Sandy Wynne | |
| Set Decor & Furnishings | Suzan Flatla | |
| Lighting Design | Evan Nearing | |
| Lighting Assistant | Karl Wagner | |
| Sound Design | Robert Fairbairn | |
| Sound Assistant | Mike Bosnich | |
| Composer | Megan Mitchell | |
| Composer | Robert Mitchell | |
| Special Effects | Andrew Williams | |
| Special Effects | Karl Wagner | |
| Special Effects | Martin Weeden | |
| Special Effects | Robert Fairbairn | |
| Properties Manager | Susan Sinchak | |
| Properties Assistant | Erica Gordon | |
| Properties Assistant | Tania Nadelle | |
| Weapons | Kendrick Abell | |
| Weapons | Tracey Bourke | |
| Costumes Design | Maxine Ball | |
| Dresser | Joy Forbes | |
| Fight Choreography | Aaron Lajeunesse | |
| Continuity | Ann Williams | |
| Continuity | Arlene Watson | |
| Continuity | Barbara Rousseau | |
| Continuity | Halia Osadca | |
| Continuity | Margrit Cattell | |
| Continuity | Miriam Fitzgerald | |
| Make-up | Martha Johnstone | |
| Hair Styling | Carol Walkey | |
| Green Room | Nancy Cormier | |
| Green Room Assistant | Christine Walton | |
| Publicity | Amy Osborne | |
| Publicity | Chrissy Feldman | |
| Publicity | Emily Walsh | |
| Publicity | James Renaud | |
| Publicity | Jim Holmes | |
| Publicity | Susan Monaghan | |
| Marquee Signs | Paul Behncke | |
| Marquee Signs | Sean Behncke | |
| Programme | Wendy Wagner | |
| Box Office | Gordon Marwood | |
| House Manager | Susan Monaghan | |
| Refreshments | Barbara Kobolak |